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<i>Help everyone explore</i>
<i>new worlds and ideas.</i>

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<i>Support your PBS channel.</i>

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<i>There is no doubt</i>
<i>who is the greatest comedian.</i>

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It's never anyone but Richard Pryor.

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<i>They created the five-second delay</i>
<i>on</i>Saturday Night Live

6
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<i>because of Richard Pryor.</i>

7
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They said he was unpredictable.

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Have you noticed
how white people look nice

9
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when there's a group of black people around?

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Isn't it? They leave. They talk to everyone.

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Isn't it? They say, "Hi, how are you?

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I don't know,
but here is my wife. Hello!”

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<i>He wasn't trying to be</i>
<i>the correct black.</i>

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Richard Pryor was trying too hard
be a black man.

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<i>Richard Pryor was born on the edge.</i>

16
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<i>Imagine being born in a brothel.</i>

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<i>People didn't feel comfortable</i>
<i>with its origin.</i>

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<i>And Rich said, "Well, this is where I come from.</i>

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That's what I went through.
This is my life.

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I will contain it."

21
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Richard Pryor, the comedian,

22
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<i>he was seriously burned in an accident</i>

23
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<i>at his home in California</i>
<i>last night.</i>

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<i>� serious enough</i>
<i>to put your life at risk.</i>

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I don't know, was it a suicide attempt?

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Was it an accident?

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An incident, whatever.

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It happened

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and made it even bigger.

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<i>This program is possible, in part,</i>

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<i>thanks to contributions</i>
<i>to your PBS channel</i>

32
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<i>from viewers like you.</i>

33
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<i>Thank you.</i>

34
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<i>Richard Pryor showed us his life</i>

35
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<i>and it showed.</i>

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He would put us there.

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We were on the corner with the drunk.

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We were on the corner.

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<i>My name is Tracy Morgan...</i>

40
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ACTOR/COMEDIAN

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<i>... I'm a human being and I'm funny.</i>

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He never lied to us.

43
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<i>When you heard</i>
<i>Richard Pryor speaks on stage,</i>

44
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<i>it was just a funny conversation.</i>

45
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That's what attracted me
to do<i>stand-up.</i>

46
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If I'm going to tell a story on stage,

47
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it will be with detail and color.

48
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<i>Here, I learned my honesty</i>
<i>and my ability</i>

49
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to relate to audiences
and being vulnerable,

50
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seeing Richard Pryor.

51
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ACTOR/COMEDIAN

52
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<i>I'm not very religious,</i>
<i>I don't stick to what the Pope says.</i>

53
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<i>I know people who do</i>

54
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<i>and it must be so.</i>

55
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Have someone we see

56
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<i>which becomes a kind of light for us.</i>

57
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Well, Richard Pryor is the comedy icon.

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<i>He was known everywhere...</i>

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COMEDIAN

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<i>... and it was a real one</i>
<i>comedy ambassador.</i>

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<i>He is referred</i>
<i>with the same loving reverence</i>

62
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than all other great philanthropists
who were not comedians.

63
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What other comedians
I think Richard Pryor influenced it?

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Are you crazy?

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COMEDIAN

66
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<i>Name a comedian</i>
<i>that does not have, in some way,</i>

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<i>been influenced by Richard Pryor,</i>

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for we call him the king.

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We call him the greatest.

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<i>Since Robin Williams</i>

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<i>to Robin Harris, J Anthony Brown,</i>

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<i>Bruce Bruce, Louis CK,</i>

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<i>George Carlin, Don Rickles,</i>

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<i>I know Jerry Seinfeld.</i>

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Tell me a comedian...

76
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<i>Carrot Top.</i>

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<i>Everyone was influenced</i>
<i>by Richard Pryor.</i>

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<i>To Richard Pryor,</i>
<i>his eventful journey that changed the world</i>

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<i>started the first time</i>
<i>in which he appeared on television.</i>

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<i>Something a comedian never forgets.</i>

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AUGUST 31, 1964

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<i>On</i>On Broadway Tonight,
<i>for the first time on TV,</i>

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<i>Richard Pryor.</i>

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The first time
that I did <i>stand-up</i> on television,

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It was so fast that I didn't even have to

86
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time to get nervous.

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I'm going to tell you some things about myself,

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for many of you do not know me.

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I'm not a New Yorker.
I'm from Peoria, Illinois.

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They asked me if I had seven minutes,

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said yes,

92
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they sent me to the stage

93
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and it was there, I didn't have time.

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I'm from a normal family, 11 children.

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Without mother or father, just children.

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Now when you walk on stage, you know

97
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that people paid to see us.

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I grabbed the bandit.

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It was the wrong option.

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<i>Every night, I know,</i>

101
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before going on stage,
I'm going to have fun,

102
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whether they like it or not.

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He knocked me down. I got up.

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He sent me to the ground. I got up.

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He kicked me and said, "Get up."

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I said...

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And the next five to seven minutes

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they are a total fog.

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It is an extracorporeal experience.

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I remember, at one point,

111
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be above myself
watching me, below,

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doing <i>stand-up.</i>

113
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My wife threw it over the furniture.

114
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He slapped me. The police came.

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He gave them a kick. They took her.

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Me and the bandit
we live happily ever after.

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End. Goodnight.

118
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<i>And if we do well,</i>

119
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the next day, everything changes.

120
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<i>Even when it should be</i>
<i>honest and legitimate,</i>

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his heart was still on the street.

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<i>Dr. Todd Boyd,</i>
<i>professor of critical studies,</i>

123
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<i>USC School of Cinematic Arts.</i>

124
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This kind of perspective

125
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of a black man of his generation,

126
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which is connected to the streets

127
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and how you use language

128
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<i>to communicate this,</i>
<i>it was very familiar to me.</i>

129
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<i>Richard Pryor is interesting</i>

130
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<i>because it's someone who comes from the Midwest</i>

131
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and it moved

132
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<i>through several low-level circles,</i>
<i>in the Midwest.</i>

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<i>He eventually made it to New York.</i>

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At will.

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That's right.

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I'm tired of telling you this,

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over and over again.
Every time I turn around I have to tell you.

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The torpedo tubes are on the left.

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The bathroom is on the right.

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You can take away all the resentment,

141
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all the misogyny

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and continue to have
a very funny man.

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My name is Cecil Brown.

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CLOSE FRIEND

145
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<i>I'm friends with Richard Pryor.</i>

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<i>Richard Pryor's comedy is universal</i>

147
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<i>and that kind of humor</i>

148
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addresses the new millennium very well,

149
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very well.

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<i>The kind of comedy that Richard did</i>
<i>when I met him</i>

151
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<i>it was called "white bread humor."</i>

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<i>No swearing.</i>

153
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<i>No references to anything</i>

154
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such as race, sex or drugs.

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Last week,
we were watching television

156
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and I heard a knock at the door.

157
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I said to my wife:

158
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"They're knocking on the door."

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<i>Richard starts out as a person</i>

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<i>who imitates Bill Crosby.</i>

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To be great,
we have to study the great ones.

162
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Bill Crosby was an inspiration
for Richard Pryor.

163
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<i>This skinny guy</i>

164
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<i>and your too big suit.</i>

165
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Richard Pryor was trying to be
the best I could.

166
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I like New York.

167
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I have been working in the city, in cafes,

168
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and I like it because they don't serve alcohol,

169
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just coffee, ice cream, weird gum

170
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and it's crazy.

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Richard must have thought
that you had to be like Bill to get in.

172
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He does not take a strong political position.

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Does not try to be confrontational.

174
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It's quite the opposite.

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 �men.

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And it started at the time
where there were no black people on television.

177
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It was a long time ago,
There was only black and white television,

178
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therefore, we had to be
black or white.

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We had no choice.

180
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<i>I think he was looking for his way.</i>

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We want to sell tickets and be popular.

182
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You are jocular.

183
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What did he say, man?

184
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I don't know. Do you want to kill him?

185
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What can I do to get
some of these opportunities

186
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that are potentially available?

187
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Here he is, our little Richie Pryor.

188
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Richie!

189
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<i>Pryor's non-offensive physical style</i>

190
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<i>starts to gain a lot of attention.</i>

191
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<i>Now, he's a stand-up comedy star</i>
<i>on the rise</i>

192
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<i>and a frequent guest</i>

193
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<i>on the show hosted by Merv Griffin.</i>

194
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All black people in America
they saw Richard Pryor.

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How do you do that, Richard? Simply...

196
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I don't know.

197
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I'll go there and do it.

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I don't know how.

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<i>That's all we did.</i>

200
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<i>We never saw black people at that time.</i>

201
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Everyone called.

202
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Everyone went to everyone's house.

203
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If you didn't have television,

204
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showed up at someone's house with a television.

205
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It's in my teeth.

206
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He's trapped.

207
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And now what do we do?

208
00:09:01,708 --> 00:09:02,709
We smoke a cigarette.

209
00:09:04,002 --> 00:09:06,212
They taste good, maybe they are good to smoke.

210
00:09:06,755 --> 00:09:08,131
<i>And he's funny,</i>

211
00:09:08,423 --> 00:09:10,258
<i>but this Richard Pryor is very different</i>

212
00:09:10,341 --> 00:09:13,470
by Richard Pryor who becomes popular
in the 1970s.

213
00:09:13,553 --> 00:09:15,680
It's almost a different type.

214
00:09:17,515 --> 00:09:20,060
<i>Despite its meteoric rise</i>
<i>to success,</i>

215
00:09:20,477 --> 00:09:22,479
<i>Richard Pryor is restless.</i>

216
00:09:22,562 --> 00:09:25,607
<i>You start to feel limited on stage.</i>

217
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Not expressing yourself completely

218
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the way you would like.

219
00:09:30,945 --> 00:09:33,573
<i>Indeed,</i>
<i>It is an imitator of other comics.</i>

220
00:09:36,951 --> 00:09:38,912
<i>As Pryor continues to do so</i>

221
00:09:38,995 --> 00:09:40,872
<i>Bill Crosby-style comedy</i>

222
00:09:41,998 --> 00:09:44,042
<i>the taste of American pop<i>culture</i>

223
00:09:44,125 --> 00:09:46,169
<i>now reflects the rising tides</i>

224
00:09:46,252 --> 00:09:47,962
<i>change and social unrest.</i>

225
00:09:50,381 --> 00:09:53,802
<i>The greatest reflection of this</i>
<i>feel like you're in New York.</i>

226
00:09:55,345 --> 00:09:59,015
Richard taught me a lot of what not to do.

227
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FILM DIRECTOR

228
00:10:01,935 --> 00:10:06,648
<i>Without a doubt he was a model</i>
<i>what not to do.</i>

229
00:10:06,731 --> 00:10:09,526
<i>He thought</i>
<i>that I was the squarest guy...</i>

230
00:10:10,860 --> 00:10:12,737
<i>... of the planet.</i>

231
00:10:15,698 --> 00:10:19,494
<i>It was a very vibrant time</i>
<i>in New York.</i>

232
00:10:19,577 --> 00:10:24,249
<i>There was social activism on the streets.</i>

233
00:10:24,332 --> 00:10:28,044
<i>If material was not made</i>
<i>socially relevant,</i>

234
00:10:28,128 --> 00:10:31,339
<i>we ourselves were not relevant.</i>

235
00:10:31,422 --> 00:10:33,925
<i>What's happening</i>
<i>it's his distance,</i>

236
00:10:34,008 --> 00:10:36,219
say, of purely physical comedy,

237
00:10:36,386 --> 00:10:39,347
<i>jokes, tricks and parodies,</i>

238
00:10:39,430 --> 00:10:42,725
for what we can call
a more intellectual comedy,

239
00:10:42,809 --> 00:10:44,018
more politics.

240
00:10:44,102 --> 00:10:46,312
Richard tried
Play it safe at first.

241
00:10:46,396 --> 00:10:48,189
<i>I don't think it was very happy</i>

242
00:10:48,273 --> 00:10:50,733
<i>trying to be someone else.</i>

243
00:10:54,279 --> 00:10:56,447
<i>In September 1967,</i>

244
00:10:57,031 --> 00:11:00,201
<i>Pryor has what later</i>
<i>I would call it an epiphany.</i>

245
00:11:00,285 --> 00:11:03,037
<i>Pryor was performing at the Aladdin Hotel,</i>

246
00:11:03,121 --> 00:11:04,539
<i>in Las Vegas, Nevada.</i>

247
00:11:05,415 --> 00:11:08,543
<i>And he mentioned that some of the people</i>
<i>from the Rat Pack</i>

248
00:11:08,626 --> 00:11:09,961
they were sitting and watching him.

249
00:11:12,714 --> 00:11:13,715
<i>He was on stage</i>

250
00:11:13,798 --> 00:11:16,092
and everyone in the public
they were sitting with their coats on.

251
00:11:16,175 --> 00:11:18,261
You couldn't go
to a show without a coat,

252
00:11:18,344 --> 00:11:19,637
shirt and tie.

253
00:11:19,721 --> 00:11:22,682
<i>He should be</i>
<i>one of the few black people in the club.</i>

254
00:11:22,849 --> 00:11:25,351
And Richard realizes

255
00:11:25,435 --> 00:11:30,607
who is imitating
a very square guy in Bill Cosby.

256
00:11:30,690 --> 00:11:32,859
<i>You still haven't found your own voice.</i>

257
00:11:33,192 --> 00:11:35,862
And he found
that the idea they had of him

258
00:11:35,945 --> 00:11:39,532
it was from a joke,
of a ridiculous person.

259
00:11:42,660 --> 00:11:45,455
Comics want to entertain people,

260
00:11:45,538 --> 00:11:48,541
but they also want to keep
respect for themselves.

261
00:11:50,960 --> 00:11:51,920
<i>As if it overflowed.</i>

262
00:11:52,003 --> 00:11:53,379
<i>When he looked at the audience</i>

263
00:11:53,463 --> 00:11:55,256
and found himself telling jokes

264
00:11:55,340 --> 00:11:57,634
to people who looked at him
in a weird way...

265
00:11:57,717 --> 00:11:59,218
<i>If they are going to look at us,</i>

266
00:11:59,302 --> 00:12:00,803
at least let them see us as a man.

267
00:12:03,890 --> 00:12:07,894
Our self-love is being challenged

268
00:12:07,977 --> 00:12:10,313
and we take it very personally.

269
00:12:13,024 --> 00:12:14,901
<i>He said he was so embarrassed</i>

270
00:12:14,984 --> 00:12:17,111
who left the stage.

271
00:12:25,286 --> 00:12:28,873
<i>A very important turning point</i>
<i>in his career,</i>

272
00:12:29,082 --> 00:12:31,960
because it was at this moment that he decided

273
00:12:32,043 --> 00:12:35,338
that old Richard Pryor
was going to be buried.

274
00:12:35,421 --> 00:12:37,382
He left the stage in the wrong direction

275
00:12:37,465 --> 00:12:39,509
and they said to him:
"You have to go back across the stage."

276
00:12:39,592 --> 00:12:42,595
He said:
"No, I'm not going back across the stage."

277
00:12:47,976 --> 00:12:51,145
It's almost poetic that this guy,

278
00:12:51,229 --> 00:12:55,358
that in the following decade
will become a gigantic star,

279
00:12:55,441 --> 00:12:59,362
get to this point by moving away
of something that is working.

280
00:12:59,988 --> 00:13:01,864
<i>It is a becoming aware.</i>

281
00:13:01,948 --> 00:13:05,743
It's a transition
from one phase to another.

282
00:13:22,510 --> 00:13:25,054
<i>Richard Franklin Lennox Thomas Pryor</i>

283
00:13:25,138 --> 00:13:29,475
<i>born December 1, 1940,</i>
<i>in Peoria, Illinois.</i>

284
00:13:34,772 --> 00:13:41,112
Peoria, Illinois, is a
among a series of Midwestern cities

285
00:13:41,195 --> 00:13:46,367
that would develop
a considerable black population.

286
00:13:53,958 --> 00:13:56,669
<i>Pryor's father, Leroy "Buck Carter" Pryor,</i>

287
00:13:56,753 --> 00:14:00,089
<i>he was a former boxer</i>
<i>Golden Gloves and pimp.</i>

288
00:14:02,341 --> 00:14:03,843
<i>His mother, Gertrude Thomas,</i>

289
00:14:03,926 --> 00:14:06,846
<i>she was an accountant and a prostitute.</i>

290
00:14:06,929 --> 00:14:11,267
<i>I don't think it's necessary to think too much</i>

291
00:14:11,350 --> 00:14:16,397
to imagine what it would be like
be the son of a prostitute.

292
00:14:20,693 --> 00:14:23,488
<i>Both parents were violent and alcoholic.</i>

293
00:14:24,447 --> 00:14:26,532
<i>His father rarely saw him</i>

294
00:14:26,616 --> 00:14:29,369
<i>and his mother abandoned him when he was ten.</i>

295
00:14:29,452 --> 00:14:32,288
<i>Pryor would later do</i>
<i>make peace with her later.</i>

296
00:14:33,956 --> 00:14:38,336
My real mother calls me

297
00:14:38,419 --> 00:14:40,380
and it shocks me, man. She appeared

298
00:14:40,713 --> 00:14:42,298
and I'm very happy with that.

299
00:14:42,382 --> 00:14:43,466
That's my mother.

300
00:14:43,549 --> 00:14:45,259
<i>- Is she here?</i>
- Come on, mom.

301
00:14:45,343 --> 00:14:46,552
Don't hide your face.

302
00:14:47,345 --> 00:14:48,554
Right there.

303
00:14:48,638 --> 00:14:50,139
I didn't know that.

304
00:14:53,976 --> 00:14:56,229
She's beautiful, man, and I don't know.

305
00:14:56,312 --> 00:14:58,314
She was trying to contact me

306
00:14:58,398 --> 00:15:00,149
And so and I didn't even know.

307
00:15:02,777 --> 00:15:04,195
<i>His grandmother would be</i>

308
00:15:04,278 --> 00:15:06,948
<i>your only means of subsistence</i>
<i>as a child.</i>

309
00:15:07,198 --> 00:15:10,701
<i>Richard's grandmother ran a brothel,</i>

310
00:15:10,785 --> 00:15:12,412
what Richard would call a whorehouse.

311
00:15:13,788 --> 00:15:16,833
<i>His mother worked at the brothel</i>

312
00:15:16,916 --> 00:15:19,127
<i>like a prostitute.</i>

313
00:15:20,378 --> 00:15:24,257
Richard ended up growing up
in one of these many brothels.

314
00:15:25,800 --> 00:15:29,262
<i>Pryor's grandmother, Marie Carter,</i>
<i>she was a violent woman</i>

315
00:15:29,345 --> 00:15:32,140
<i>who beat him for any mischief.</i>

316
00:15:32,515 --> 00:15:34,350
<i>It was an environment</i>

317
00:15:34,434 --> 00:15:38,729
<i>defined by mistreatment</i>
<i>of all types.</i>

318
00:15:39,063 --> 00:15:41,357
Selfishly, we wanted more of him.

319
00:15:41,441 --> 00:15:43,609
We begin to understand this

320
00:15:43,693 --> 00:15:47,697
and you want someone
to be so honest with us.

321
00:15:47,780 --> 00:15:51,742
Now that he's not there,
We always miss those who get lost.

322
00:15:51,826 --> 00:15:53,327
<i>My name is Rashon Khan...</i>

323
00:15:53,411 --> 00:15:54,412
BODYGUARD/FRIEND

324
00:15:54,495 --> 00:15:56,789
<i>... and I was called</i>
<i>Richard's bodyguard</i>

325
00:15:57,081 --> 00:16:00,460
but I would like to be mentioned
like one of your friends.

326
00:16:01,127 --> 00:16:03,129
<i>The story of Richard Pryor, for me...</i>

327
00:16:03,212 --> 00:16:06,090
<i>To be told, who would tell</i>
<i>and how it would be told.</i>

328
00:16:06,174 --> 00:16:08,509
Because if you don't reflect
Richard's honesty,

329
00:16:08,593 --> 00:16:09,969
It's a bullshit story.

330
00:16:11,929 --> 00:16:16,517
<i>The fact that he said:</i>
<i>"The mouth that kissed me goodnight</i>

331
00:16:16,601 --> 00:16:18,311
<i>has just performed this act."</i>

332
00:16:18,895 --> 00:16:22,482
Just the fact that I had this thought as a kid

333
00:16:22,773 --> 00:16:25,735
and how many goodnight kisses did you receive?

334
00:16:25,818 --> 00:16:28,070
How many acts have you seen?

335
00:16:28,154 --> 00:16:31,240
<i>See that the only white people</i>
<i>who come to the house</i>

336
00:16:31,324 --> 00:16:33,701
They're guys looking for sex,

337
00:16:33,784 --> 00:16:34,869
being a child,

338
00:16:34,952 --> 00:16:36,454
look and see these people

339
00:16:36,537 --> 00:16:39,248
It had to be traumatic.

340
00:16:39,332 --> 00:16:40,708
<i>You have to understand,</i>

341
00:16:40,791 --> 00:16:42,919
<i>Richard Pryor never had</i>
<i>a normal life.</i>

342
00:16:43,544 --> 00:16:45,671
Of course it will be difficult.

343
00:16:47,715 --> 00:16:51,052
<i>Living in one of the worst</i>
<i>Peoria slums,</i>

344
00:16:51,135 --> 00:16:54,263
<i>young Pryor often saw himself</i>
<i>as a target for gangs.</i>

345
00:16:54,347 --> 00:16:58,100
<i>Your sense of humor</i>
<i>it was his only defense mechanism</i>

346
00:16:58,267 --> 00:17:00,937
<i>and Pryor quickly gained fame</i>

347
00:17:01,020 --> 00:17:02,396
<i>class clown.</i>

348
00:17:03,481 --> 00:17:05,399
<i>His difficult childhood would provide</i>

349
00:17:05,483 --> 00:17:07,818
<i>a wealth of material</i>
<i>which I would later use</i>

350
00:17:07,902 --> 00:17:09,487
<i>in numbers of</i>stand-up.

351
00:17:10,905 --> 00:17:14,825
<i>There are places after hours.</i>

352
00:17:14,909 --> 00:17:18,246
<i>The police officers who frequented these places,</i>

353
00:17:18,329 --> 00:17:19,914
<i>the bookies</i>

354
00:17:19,997 --> 00:17:23,417
<i>and several other types</i>

355
00:17:23,501 --> 00:17:25,336
<i>and the way they spoke...</i>

356
00:17:25,419 --> 00:17:27,004
It was with these people that he grew up.

357
00:17:27,088 --> 00:17:29,590
Those were the voices
that he heard as a child.

358
00:17:29,674 --> 00:17:31,175
This is the model

359
00:17:31,259 --> 00:17:33,928
for everything he would do next.

360
00:17:34,262 --> 00:17:38,349
With comedy,
I always tell people it's a stew.

361
00:17:38,808 --> 00:17:41,394
That, in the first 18 years of life,

362
00:17:41,477 --> 00:17:42,812
It's on the stove

363
00:17:42,895 --> 00:17:46,232
and all our experiences go there

364
00:17:46,315 --> 00:17:47,525
and it bubbles.

365
00:17:47,608 --> 00:17:50,903
If you cook at the right temperature...

366
00:17:50,987 --> 00:17:52,738
Sometimes it gets too strong,

367
00:17:52,822 --> 00:17:54,407
other times, very mild.

368
00:17:54,490 --> 00:17:58,786
What we obtain at the end of these 18 years,

369
00:17:58,869 --> 00:18:01,497
or the necessary years
to our development,

370
00:18:01,581 --> 00:18:04,083
I think that's what makes us who we are.

371
00:18:08,504 --> 00:18:11,465
<i>As a child, Pryor's escape</i>
<i>of your troubled life</i>

372
00:18:11,549 --> 00:18:13,342
<i>it was the big screen.</i>

373
00:18:13,426 --> 00:18:14,802
<i>Sitting in the black seats...</i>

374
00:18:14,885 --> 00:18:15,720
PEOPLE OF COLOR

375
00:18:16,554 --> 00:18:18,848
<i>... he especially loved</i> westerns,

376
00:18:18,931 --> 00:18:21,559
<i>creating within the young child</i>

377
00:18:21,642 --> 00:18:24,604
<i>a wild ambition</i>
<i>to become a star.</i>

378
00:18:27,356 --> 00:18:29,692
<i>Another unlikely Hollywood icon</i>

379
00:18:29,775 --> 00:18:32,445
<i>fueled Pryor's passion</i>
<i>through representation.</i>

380
00:18:32,528 --> 00:18:34,280
<i>My grandmother, when we moved,</i>

381
00:18:34,363 --> 00:18:36,490
there was a lot of records up there,

382
00:18:36,574 --> 00:18:38,034
Doris Day records.

383
00:18:38,117 --> 00:18:41,037
I would go up there, listen to them

384
00:18:41,120 --> 00:18:45,833
and imagined being in a play
and imagined being in Hollywood.

385
00:18:49,045 --> 00:18:52,632
<i>To Richard,</i>
<i>their circumstances were so terrible</i>

386
00:18:52,715 --> 00:18:54,550
<i>which was a motivation.</i>

387
00:18:54,634 --> 00:18:56,093
<i>Can it get any worse?</i>

388
00:18:56,218 --> 00:18:57,261
How do I get out of here?

389
00:18:57,345 --> 00:18:59,680
Well, if it's someone who is motivated,

390
00:18:59,764 --> 00:19:02,600
this could be an instigator

391
00:19:02,683 --> 00:19:04,685
of change in your life very good

392
00:19:04,769 --> 00:19:06,520
and I think it was for Richard Pryor.

393
00:19:08,481 --> 00:19:10,983
<i>Trying to escape the neighborhood he grew up in,</i>

394
00:19:11,067 --> 00:19:13,986
<i>Pryor enlisted in the army in 1958.</i>

395
00:19:17,114 --> 00:19:20,159
<i>Like Bill Cosby,</i>
<i>Pryor saw the military</i>

396
00:19:20,242 --> 00:19:22,078
<i>as an opportunity for progress.</i>

397
00:19:23,871 --> 00:19:26,832
<i>However,</i>
<i>due to a racial incident,</i>

398
00:19:26,916 --> 00:19:30,544
<i>spent almost the entire two years</i>
<i>his military service</i>

399
00:19:30,628 --> 00:19:32,463
<i>in an army prison, in Europe,</i>

400
00:19:32,546 --> 00:19:35,257
<i>for stabbing a soldier with a razor.</i>

401
00:19:39,637 --> 00:19:41,764
<i>After being discharged from the army,</i>

402
00:19:41,847 --> 00:19:43,808
<i>got his first job in a cabaret,</i>

403
00:19:43,891 --> 00:19:46,936
<i>in a nightclub</i>
<i>African American in Peoria,</i>

404
00:19:47,019 --> 00:19:49,188
<i>where he sang and played the piano.</i>

405
00:19:49,271 --> 00:19:51,023
RESTAURANT BAR MEMBERS ONLY

406
00:19:51,107 --> 00:19:53,984
In some ways, it taught him

407
00:19:54,068 --> 00:19:56,737
a number of different styles
from the world of entertainment.

408
00:19:56,821 --> 00:20:00,032
<i>Richard is from an era when</i>
<i>we could have to do anything.</i>

409
00:20:00,116 --> 00:20:01,951
<i>One night I might need to sing,</i>

410
00:20:02,326 --> 00:20:04,161
another night, telling jokes.

411
00:20:04,245 --> 00:20:06,163
You had to be familiar
with these things.

412
00:20:07,331 --> 00:20:09,667
<i>Realizing that the public prefers</i>
<i>your jokes</i>

413
00:20:09,750 --> 00:20:11,085
<i>listening to him sing,</i>

414
00:20:11,627 --> 00:20:13,421
<i>Pryor began working as a comic</i>

415
00:20:13,504 --> 00:20:16,215
<i>in comedy clubs</i>
<i>only black people in the Midwest.</i>

416
00:20:18,426 --> 00:20:22,722
<i>In 1963, motivated by his ambition</i>
<i>to become a star,</i>

417
00:20:22,805 --> 00:20:25,683
<i>he left the Midwest for New York.</i>

418
00:20:26,976 --> 00:20:30,062
<i>He would perfect your number</i>
<i>in nightclubs in Greenwich,</i>

419
00:20:30,146 --> 00:20:32,356
<i>next to a young George Carlin</i>

420
00:20:32,440 --> 00:20:33,899
<i>and Richie Havens.</i>

421
00:20:35,735 --> 00:20:37,945
<i>But growing up as an African-American</i>

422
00:20:38,028 --> 00:20:39,822
<i>in a brothel in Peoria, Illinois,</i>

423
00:20:39,905 --> 00:20:42,074
<i>would become the matrix of a life</i>

424
00:20:42,158 --> 00:20:44,577
<i>� which Richard Pryor would never escape.</i>

425
00:20:45,369 --> 00:20:47,288
<i>If you grow up in a house of girls,</i>

426
00:20:48,080 --> 00:20:50,624
there is a high probability

427
00:20:50,708 --> 00:20:53,210
<i>to be marked by this,</i>

428
00:20:53,294 --> 00:20:56,005
<i>as you grow</i>
<i>and that we become adults.</i>

429
00:20:57,131 --> 00:20:59,091
<i>So I guess with Richard Pryor,</i>

430
00:20:59,175 --> 00:21:04,013
he was the alchemist
who managed to transform

431
00:21:04,096 --> 00:21:08,517
all the tragedy in one drink

432
00:21:08,601 --> 00:21:11,604
that everyone wants a sip of.

433
00:21:14,607 --> 00:21:16,901
<i>After leaving the stage in Las Vegas</i>

434
00:21:16,984 --> 00:21:19,278
<i>in September 1967,</i>

435
00:21:19,361 --> 00:21:23,574
<i>Richard Pryor found himself banned</i>
<i>of many nightclubs,</i>

436
00:21:23,657 --> 00:21:27,620
<i>allegedly having offended</i>
<i>the club's owners are linked to the mafia.</i>

437
00:21:27,703 --> 00:21:29,455
<i>No one abandons Dean Martin</i>

438
00:21:29,538 --> 00:21:31,707
neither these bosses nor that entire public.

439
00:21:31,791 --> 00:21:33,167
At that time, it appeared in<i>Variaty</i>

440
00:21:33,250 --> 00:21:35,044
and, in Vegas, they said they didn't want him.

441
00:21:35,127 --> 00:21:38,005
Richard Pryor fired for 'Obscenity'
by LV Aladdin

442
00:21:40,341 --> 00:21:42,468
<i>No money, hitchhiked</i>

443
00:21:42,551 --> 00:21:44,011
<i>to Berkeley, California.</i>

444
00:21:44,094 --> 00:21:46,180
Take this and go away,

445
00:21:46,263 --> 00:21:48,641
knowing it was your way
to earn a living,

446
00:21:48,724 --> 00:21:51,393
and say, "I'm not going to do that"

447
00:21:51,477 --> 00:21:55,147
<i>and find yourself with very little money.</i>

448
00:21:58,359 --> 00:22:02,530
<i>Pryor was at the epicenter</i>
<i>American counterculture.</i>

449
00:22:02,613 --> 00:22:03,697
The freedom of expression movement,

450
00:22:03,781 --> 00:22:05,825
the SDS movement in Berkeley

451
00:22:05,908 --> 00:22:08,327
<i>and later</i>
<i>the Black Panther Party.</i>

452
00:22:08,410 --> 00:22:11,497
We had white people protesting
against the war in Vietnam.

453
00:22:11,580 --> 00:22:14,500
And it is the height of racial conflict,

454
00:22:14,583 --> 00:22:17,044
<i>attempts to finish</i>
<i>with racial segregation in the south,</i>

455
00:22:17,127 --> 00:22:19,380
<i>the approval of the Civil Rights Act,</i>

456
00:22:19,463 --> 00:22:21,215
<i>followed by voting</i>
<i>of the Voting Rights Act.</i>

457
00:22:21,465 --> 00:22:23,634
It was a very politically charged era.

458
00:22:23,717 --> 00:22:25,302
<i>In addition,</i>

459
00:22:25,386 --> 00:22:27,930
<i>there was a resurgence of drugs.</i>

460
00:22:30,391 --> 00:22:32,101
<i>Richard was in the middle of it all.</i>

461
00:22:32,351 --> 00:22:34,019
It's impossible to be there

462
00:22:34,103 --> 00:22:37,147
and not be affected by these things.

463
00:22:37,314 --> 00:22:39,149
<i>He knows Huey P. Newton,</i>

464
00:22:39,233 --> 00:22:41,402
<i>leader of the Black Panther Party.</i>

465
00:22:41,485 --> 00:22:43,946
<i>Richard talks about reading</i>
<i>the autobiography of Malcolm X</i>

466
00:22:44,029 --> 00:22:45,948
and how much it influenced him.

467
00:22:46,031 --> 00:22:48,951
One could not separate Richard from the time.

468
00:22:49,243 --> 00:22:51,412
I think what Richard experienced

469
00:22:51,495 --> 00:22:55,583
was, in a way,
a kind of spiritual conversion.

470
00:22:56,000 --> 00:23:00,087
He realized who it had been,

471
00:23:00,421 --> 00:23:01,547
<i>an imitator,</i>

472
00:23:01,630 --> 00:23:04,633
<i>someone who was very good</i>
<i>imitation of other people.</i>

473
00:23:04,800 --> 00:23:06,176
But by imitating other people,

474
00:23:06,260 --> 00:23:07,970
we are not being ourselves.

475
00:23:09,972 --> 00:23:12,975
<i>In Berkeley, Pryor realized</i>

476
00:23:13,058 --> 00:23:14,643
<i>that I couldn't stay away from</i>

477
00:23:14,727 --> 00:23:18,022
<i>and see social and racial inequality</i>
<i>that surrounded him</i>

478
00:23:18,105 --> 00:23:20,190
<i>continue unopposed.</i>

479
00:23:21,775 --> 00:23:23,652
<i>He needed to be involved.</i>

480
00:23:23,736 --> 00:23:26,989
<i>I needed to make a difference</i>
<i>with your comedy.</i>

481
00:23:28,490 --> 00:23:30,826
Have you noticed
how white people look nice

482
00:23:30,909 --> 00:23:32,620
when there's a group of black people around?

483
00:23:33,704 --> 00:23:35,664
Isn't it? They leave. They talk to everyone.

484
00:23:35,748 --> 00:23:37,958
Isn't it? They say, "Hi, how are you?

485
00:23:38,751 --> 00:23:41,920
I don't know,
but here is my wife. Hello!”

486
00:23:42,713 --> 00:23:44,757
<i>On sabbatical leave at Berkeley,</i>

487
00:23:44,840 --> 00:23:47,843
<i>Richard Pryor found his voice.</i>

488
00:23:48,052 --> 00:23:49,345
For me, that's the fun part,

489
00:23:49,428 --> 00:23:51,263
when the whites return after the break

490
00:23:51,347 --> 00:23:53,515
and discover that black people
they stole their places.

491
00:23:54,767 --> 00:23:56,185
You black people are taking a lot of risks,

492
00:23:56,268 --> 00:23:58,646
being in Long Beach.

493
00:23:59,313 --> 00:24:01,565
I saw that the police arrested a brother

494
00:24:01,649 --> 00:24:03,984
when he came here.
The black man had his hands in the air

495
00:24:04,068 --> 00:24:05,694
and said, "What?"

496
00:24:06,070 --> 00:24:07,780
They were searching him and shit like that.

497
00:24:08,405 --> 00:24:10,491
I bet they took him to jail.

498
00:24:12,368 --> 00:24:13,661
<i>When he came to Berkeley,</i>

499
00:24:13,744 --> 00:24:16,163
<i>said he wanted to do it</i>
<i>something totally different,</i>

500
00:24:16,246 --> 00:24:19,708
Otherwise I would stop doing comedy.

501
00:24:19,792 --> 00:24:21,835
There were times
where I had to throw the number away

502
00:24:21,919 --> 00:24:23,545
and say, "I'll do it,

503
00:24:23,629 --> 00:24:25,673
my stuff like...
This is my life.

504
00:24:25,756 --> 00:24:27,174
That's what I like.

505
00:24:27,257 --> 00:24:29,301
That's what it was
before show business.

506
00:24:29,385 --> 00:24:30,636
<i>And what he did in Berkeley</i>

507
00:24:30,719 --> 00:24:31,887
<i>it was totally different.</i>

508
00:24:31,970 --> 00:24:35,683
<i>It involved all those taboo subjects,</i>

509
00:24:35,766 --> 00:24:39,603
<i>such as race, sex, poverty</i>

510
00:24:39,687 --> 00:24:42,189
everything I couldn't talk about
on television.

511
00:24:42,272 --> 00:24:44,316
I remember thinking this was good.

512
00:24:44,858 --> 00:24:48,278
Because I think comics
They are mainly anarchists.

513
00:24:48,362 --> 00:24:51,990
I'm all for anarchy since
that can maintain room service.

514
00:24:53,659 --> 00:24:56,954
<i>Pryor left Berkeley</i>
<i>with a rejuvenated career.</i>

515
00:24:57,037 --> 00:24:58,622
<i>I think his career is over</i>

516
00:24:58,706 --> 00:25:00,624
<i>when he left the Aladdin stage.</i>

517
00:25:01,291 --> 00:25:04,461
But he wanted this career to end.

518
00:25:04,795 --> 00:25:07,005
<i>I think a new Richard Pryor has been born.</i>

519
00:25:07,089 --> 00:25:09,425
<i>And that all those people</i>

520
00:25:09,508 --> 00:25:11,552
<i>who were angry</i>
<i>because he left...</i>

521
00:25:11,635 --> 00:25:13,721
... I thought they would never see him again.

522
00:25:13,804 --> 00:25:17,850
Until they were forced
to go see him again,

523
00:25:17,933 --> 00:25:21,979
because his popularity
had overcome prejudice,

524
00:25:22,062 --> 00:25:25,190
their ignorance and stupidity.

525
00:25:25,274 --> 00:25:29,695
Because Richard Pryor became
a man that day,

526
00:25:29,778 --> 00:25:34,658
a comic of comics,
a comedic genius.

527
00:25:34,742 --> 00:25:37,995
He hit bottom, without any money,

528
00:25:38,078 --> 00:25:40,622
had white girlfriends in Berkeley,

529
00:25:40,706 --> 00:25:42,499
hung out with the Black Panthers

530
00:25:42,583 --> 00:25:45,627
and then Richard Pryor came back.

531
00:25:45,836 --> 00:25:47,796
Once Richard discovered his voice,

532
00:25:47,880 --> 00:25:49,423
the genie was out of the bottle

533
00:25:49,506 --> 00:25:51,884
and I wasn't going to go in again.

534
00:25:52,760 --> 00:25:53,886
<i>The new Richard Pryor</i>

535
00:25:53,969 --> 00:25:57,181
<i>I was going to fight against the</i>status quo.

536
00:25:57,264 --> 00:25:59,516
Two grab the legs,
one grabs the head,

537
00:25:59,600 --> 00:26:02,144
they snap... Shit, it broke.

538
00:26:03,604 --> 00:26:05,189
Can you break a nigga? Is it allowed?

539
00:26:05,272 --> 00:26:06,857
Let's see in the manual. Yes, page eight.

540
00:26:06,940 --> 00:26:08,942
"A nigga can break", here it is.

541
00:26:10,194 --> 00:26:14,364
<i>And your weapon of choice</i>
<i>it was his vocabulary.</i>

542
00:26:14,448 --> 00:26:17,117
The aim was to use language as a weapon,

543
00:26:17,201 --> 00:26:19,828
use language to get attention

544
00:26:19,912 --> 00:26:23,123
to these larger social problems

545
00:26:23,207 --> 00:26:24,958
and, as often happens,

546
00:26:25,042 --> 00:26:27,753
Many truths are told jokingly.

547
00:26:27,836 --> 00:26:29,797
The word<i></i>"black" is not a person,

548
00:26:29,880 --> 00:26:31,215
It's a personality.

549
00:26:33,300 --> 00:26:36,303
That's what he was referring to.
Richard Pryor said:

550
00:26:36,386 --> 00:26:38,514
"The word 'black' describes
our own misfortune."

551
00:26:43,393 --> 00:26:45,813
<i>I think he was saying things</i>

552
00:26:45,896 --> 00:26:48,023
<i>how you heard them in your head</i>

553
00:26:48,232 --> 00:26:50,567
and I think it was authentic for him,

554
00:26:50,651 --> 00:26:52,319
but I don't think it was vulgar.

555
00:26:52,402 --> 00:26:53,821
I don't think I would try to be that.

556
00:26:53,904 --> 00:26:55,906
I don't think I would try to shock anyone.

557
00:26:55,989 --> 00:26:58,408
I think he should always talk like that.

558
00:26:59,743 --> 00:27:03,413
<i>Planned swearing is not comedy.</i>

559
00:27:03,497 --> 00:27:06,834
There is a spontaneity

560
00:27:06,917 --> 00:27:08,836
where it fits.

561
00:27:08,919 --> 00:27:10,754
It's just like that.

562
00:27:10,838 --> 00:27:12,714
And it's not planned.

563
00:27:13,257 --> 00:27:14,508
<i>But when Richard did it,</i>

564
00:27:14,591 --> 00:27:15,801
<i>there was substance there.</i>

565
00:27:15,884 --> 00:27:17,052
<i>There was a meaning</i>

566
00:27:17,135 --> 00:27:18,470
and a reason to use them.

567
00:27:19,304 --> 00:27:22,766
<i>There is a frustration filter</i>
<i>in housing complexes.</i>

568
00:27:22,850 --> 00:27:26,395
<i>Poverty, frustration,</i>
<i>It's a powder keg. That's where it comes from.</i>

569
00:27:26,645 --> 00:27:28,522
People use these words

570
00:27:28,605 --> 00:27:31,650
when there is frustration, poverty and all that.

571
00:27:31,733 --> 00:27:34,486
<i>I come from. Richard was coming from.</i>

572
00:27:35,737 --> 00:27:38,490
Black funerals
are no different from those of white people.

573
00:27:38,574 --> 00:27:40,659
Black people let it all hang out at the funeral.

574
00:27:40,742 --> 00:27:42,119
They don't want to know. They do...

575
00:27:49,251 --> 00:27:52,462
Take me, God, take me.

576
00:27:52,546 --> 00:27:54,965
And then they fall on their asses.

577
00:27:55,048 --> 00:27:56,967
It's like, "Damn, honey.

578
00:27:57,050 --> 00:27:58,385
Get your big ass up.”

579
00:28:00,596 --> 00:28:02,806
<i>Pryor's new number</i>
<i>it was a potent mix</i>

580
00:28:02,890 --> 00:28:04,224
<i>of colorful epithets,</i>

581
00:28:04,308 --> 00:28:07,519
<i>personality studies of street types</i>
<i>terribly accurate</i>

582
00:28:07,603 --> 00:28:11,732
<i>and hilarious hostility towards</i>
<i>the inequalities between whites and blacks.</i>

583
00:28:12,649 --> 00:28:14,818
<i>When you were in his world,</i>
<i>it was a circus</i>

584
00:28:14,902 --> 00:28:16,445
<i>and he talked about it.</i>

585
00:28:16,528 --> 00:28:19,281
The good, the bad and the ugly.

586
00:28:21,617 --> 00:28:23,368
<i>But actually, what are you doing</i>

587
00:28:23,452 --> 00:28:26,413
<i>it's the same thing</i>
<i>than the guys on the street corners,</i>

588
00:28:26,705 --> 00:28:28,415
the guys in the pool halls

589
00:28:28,498 --> 00:28:30,417
and the guys on the bandstand.

590
00:28:30,500 --> 00:28:32,252
That's all he's doing.

591
00:28:32,336 --> 00:28:33,962
He is the spokesperson,

592
00:28:34,046 --> 00:28:38,926
but now, this way of speaking

593
00:28:39,218 --> 00:28:42,387
<i>can be expressed in public,</i>

594
00:28:42,471 --> 00:28:45,140
<i>while before it was private.</i>

595
00:28:48,060 --> 00:28:50,187
<i>Pryor had put his finger on the wound</i>

596
00:28:50,270 --> 00:28:53,148
<i>in the American part</i>
<i>who still lived in denial</i>

597
00:28:53,232 --> 00:28:54,775
<i>about your prejudices.</i>

598
00:28:55,484 --> 00:28:57,319
People are upset

599
00:28:57,402 --> 00:28:59,571
because these private conversations

600
00:28:59,655 --> 00:29:02,532
<i>that black people had among themselves,</i>

601
00:29:02,616 --> 00:29:05,452
<i>were now being broadcast</i>
<i>through the public.</i>

602
00:29:05,535 --> 00:29:07,537
Richard was like the megaphone.

603
00:29:08,205 --> 00:29:11,041
<i>That could leave</i>
<i>uncomfortable people,</i>

604
00:29:11,124 --> 00:29:13,585
<i>but Richard was like that and he said:</i>

605
00:29:13,669 --> 00:29:15,921
"Well, this is where I'm from, damn it.

606
00:29:16,004 --> 00:29:18,340
That's what I went through.
This is my life.

607
00:29:18,423 --> 00:29:19,800
I will contain it."

608
00:29:20,300 --> 00:29:23,011
<i>And the public devoured it.</i>

609
00:29:23,095 --> 00:29:24,513
We could disagree,

610
00:29:24,596 --> 00:29:25,973
but we couldn't ignore it.

611
00:29:26,056 --> 00:29:29,685
He made it so that we had
to deal with these ideas

612
00:29:29,768 --> 00:29:33,313
that otherwise people
they would rather sweep it under the rug.

613
00:29:33,397 --> 00:29:35,440
<i>He said it so to our faces,</i> <i>he was so frank,</i>

614
00:29:35,524 --> 00:29:38,193
<i>so direct,</i>
<i>but that's part of politics,</i>

615
00:29:38,402 --> 00:29:41,071
force people to deal with it,
in one way or another.

616
00:29:41,488 --> 00:29:44,283
<i>To the great surprise of the record companies,</i>

617
00:29:44,366 --> 00:29:46,493
<i>Pryor's career soared.</i>

618
00:29:46,576 --> 00:29:48,704
<i>African-American audiences loved him,</i>

619
00:29:48,787 --> 00:29:52,499
<i>but the white public</i>
<i>I also bought his albums.</i>

620
00:29:52,582 --> 00:29:54,543
Say the album title.
I can't say.

621
00:29:54,626 --> 00:29:55,919
The album title is...

622
00:29:56,003 --> 00:29:57,754
- My daddy...
- That black guy is crazy.

623
00:29:58,964 --> 00:30:00,924
Doesn't the black guy look crazy?

624
00:30:02,467 --> 00:30:03,969
He's a completely crazy black guy.

625
00:30:04,052 --> 00:30:07,306
Well, it doesn't stay...
See, you can say that and...

626
00:30:07,389 --> 00:30:08,390
Yes, see.

627
00:30:08,473 --> 00:30:09,891
If I said that, wouldn't you be angry?

628
00:30:09,975 --> 00:30:11,059
He punched him.

629
00:30:13,270 --> 00:30:15,647
Before Richard Pryor, no<i>rapper</i>

630
00:30:15,731 --> 00:30:19,276
no one could use it
publicly the language

631
00:30:19,359 --> 00:30:24,656
<i>that Jay-Z and others used</i>
<i>to become millionaires.</i>

632
00:30:25,073 --> 00:30:28,368
<i>Before Richard Pryor,</i>
<i>no one could even start</i>

633
00:30:28,452 --> 00:30:31,788
<i>using language</i>
<i>the way </i>rappers<i>do it.</i>

634
00:30:31,872 --> 00:30:35,334
Richard was the pioneer at this level.

635
00:30:37,544 --> 00:30:38,712
<i>Ready to fire</i>

636
00:30:38,795 --> 00:30:42,382
<i>with the most controversial and profane number</i>
<i>improvised comedy</i>

637
00:30:42,466 --> 00:30:45,802
<i>Richard Pryor goes full throttle</i>
<i>towards stardom.</i>

638
00:30:45,886 --> 00:30:48,180
<i>Brought black and white audiences</i>

639
00:30:48,263 --> 00:30:53,101
to the same arena,
sitting next to each other,

640
00:30:53,185 --> 00:30:55,854
while he did imitations of white people,

641
00:30:55,937 --> 00:30:57,397
and few people

642
00:30:57,481 --> 00:31:00,359
had made imitations of white people,
at height.

643
00:31:00,442 --> 00:31:04,613
It was a very funny thing.

644
00:31:04,780 --> 00:31:07,157
Yes, come on, cockhead.

645
00:31:08,241 --> 00:31:11,203
Son of a bitch, come on.

646
00:31:16,583 --> 00:31:18,502
<i>Pryor makes several tours</i>

647
00:31:18,585 --> 00:31:21,630
<i>and releases several albums</i>
<i>Grammy winners</i>

648
00:31:21,755 --> 00:31:23,048
<i>that reach platinum.</i>

649
00:31:24,549 --> 00:31:25,926
<i>He simply changed the world.</i>

650
00:31:26,593 --> 00:31:28,553
If I didn't have a Richard Pryor album,

651
00:31:28,637 --> 00:31:30,972
I shouldn't be in comedy.

652
00:31:31,056 --> 00:31:33,892
You should listen to these albums today

653
00:31:33,975 --> 00:31:36,144
<i>and they'll make you laugh.</i>

654
00:31:36,228 --> 00:31:37,479
<i>His albums are</i>

655
00:31:37,562 --> 00:31:39,981
the most popular thing in the world.

656
00:31:40,065 --> 00:31:42,776
He becomes a figure

657
00:31:42,859 --> 00:31:46,446
which is transversal to culture.

658
00:31:46,530 --> 00:31:49,699
<i>The public can't seem to get enough of him.</i>

659
00:31:50,617 --> 00:31:52,244
<i>It's just a matter of time</i>

660
00:31:52,327 --> 00:31:54,454
<i>until Hollywood shows up</i>

661
00:31:54,538 --> 00:31:57,874
<i>to want to make a profit</i>
<i>with Pryor's popularity.</i>

662
00:31:57,958 --> 00:32:01,837
<i>Richard Pryor's transition</i>
<i>from</i>stand-up<i>to cinema</i>

663
00:32:01,920 --> 00:32:04,589
It's a natural progression in Hollywood.

664
00:32:04,673 --> 00:32:05,674
The joke makes money.

665
00:32:08,969 --> 00:32:10,345
<i>What could be considered</i>

666
00:32:10,429 --> 00:32:12,389
<i>the biggest opportunity of your career,</i>

667
00:32:12,806 --> 00:32:14,891
<i>chosen to play opposite</i>
<i>with Diana Ross</i>

668
00:32:14,975 --> 00:32:18,478
<i>and Billy Dee Williams</i> <i>in</i>A Woman's Destiny.

669
00:32:19,479 --> 00:32:22,315
Richard stole the show
just with that little bit

670
00:32:22,399 --> 00:32:24,484
and got all the recognition.

671
00:32:24,568 --> 00:32:26,153
<i>It didn't go well for Billy</i>

672
00:32:26,236 --> 00:32:28,697
<i>and no one talked about him in the film,</i>

673
00:32:28,780 --> 00:32:30,323
although he played a great role.

674
00:32:30,407 --> 00:32:32,284
They only talked about who was the new guy,

675
00:32:32,367 --> 00:32:33,577
Richard Pryor.

676
00:32:33,660 --> 00:32:35,370
And from then on, Richard...

677
00:32:35,454 --> 00:32:37,205
... the push for cinema began.

678
00:32:39,040 --> 00:32:41,543
<i>For your work in</i> Destino de Mulher,

679
00:32:41,626 --> 00:32:43,670
<i>Pryor would receive critical acclaim.</i>

680
00:32:43,753 --> 00:32:47,799
The transition from<i>stand-up</i> to cinema

681
00:32:47,883 --> 00:32:51,094
It wasn't difficult for him,
because he was natural

682
00:32:51,178 --> 00:32:54,014
and a depth
that the actors try to find.

683
00:32:54,222 --> 00:32:56,433
<i>Not everyone can do it</i>
<i>this transition</i>

684
00:32:56,516 --> 00:32:58,894
<i>to the big screen,</i>
<i>but Richard Pryor did it.</i>

685
00:32:58,977 --> 00:33:01,438
<i>He realized that, on the big screen,</i>

686
00:33:01,521 --> 00:33:02,731
<i>we have to do it big.</i>

687
00:33:02,898 --> 00:33:04,900
He understood camera angles.

688
00:33:04,983 --> 00:33:08,278
He understood how to be funny.
He was being himself.

689
00:33:08,361 --> 00:33:10,030
<i>He let the camera find him.</i>

690
00:33:14,242 --> 00:33:15,994
<i>Quickly has a flourishing career</i>

691
00:33:16,077 --> 00:33:17,996
<i>as a secondary actor in films,</i>

692
00:33:18,079 --> 00:33:20,415
<i>including</i> Uptown Saturday Night,

693
00:33:20,499 --> 00:33:23,376
The Bingo Long Traveling All-Stars
and Motor Kings,

694
00:33:23,960 --> 00:33:27,464
<i>and the 1976 release,</i>
The Chicago Express.

695
00:33:27,631 --> 00:33:29,925
<i>Richard Pryor was a great actor</i>
<i>because it didn't represent.</i>

696
00:33:30,634 --> 00:33:33,386
<i>That's when we know we have a great actor.</i>

697
00:33:33,470 --> 00:33:35,013
The best thing about Richard Pryor

698
00:33:35,096 --> 00:33:38,141
That, like the great comedian he was,

699
00:33:38,600 --> 00:33:39,935
<i>his films were different,</i>

700
00:33:40,018 --> 00:33:42,312
<i>he was a totally different person</i>

701
00:33:42,395 --> 00:33:43,688
<i>at the cinema.</i>

702
00:33:43,772 --> 00:33:46,316
<i>He had no idea how good an actor he was.</i>

703
00:33:46,399 --> 00:33:52,322
Each film was its own marvel.

704
00:33:54,908 --> 00:34:00,622
Richard expanded
the vocabulary of black guys

705
00:34:00,705 --> 00:34:02,832
as far as Hollywood is concerned.

706
00:34:02,916 --> 00:34:04,334
<i>In</i> Crazy at the Wheel,

707
00:34:04,417 --> 00:34:06,419
<i>he portrays Wendell Scott,</i>

708
00:34:06,503 --> 00:34:09,756
<i>the first African-American</i>
<i>car corridor.</i>

709
00:34:12,467 --> 00:34:15,345
<i>Afterwards, he interpreted</i>
<i>ambitiously three roles</i>

710
00:34:15,428 --> 00:34:17,055
<i>in</i>Which Way Is Up?

711
00:34:17,472 --> 00:34:21,059
When I was developing
the film with Richard,

712
00:34:22,185 --> 00:34:26,690
I realized that he could interpret
not only the main character,

713
00:34:26,982 --> 00:34:31,653
but also the other two characters,

714
00:34:31,736 --> 00:34:36,116
<i>his father is a smuggling preacher.</i>

715
00:34:36,533 --> 00:34:38,034
Without a doubt the first black film

716
00:34:38,118 --> 00:34:42,038
which had several characters
played by a single actor.

717
00:34:43,164 --> 00:34:48,878
<i>And Richard just loved it</i>
<i>the experience</i>

718
00:34:49,379 --> 00:34:51,339
and it was full of laughter.

719
00:34:51,423 --> 00:34:54,634
My most difficult role
it was trying to stop the team from laughing.

720
00:34:55,427 --> 00:34:59,723
This was so successful
than other directors,

721
00:34:59,806 --> 00:35:02,475
as comedian Eddie Murphy
and so on,

722
00:35:02,559 --> 00:35:04,311
they started doing the same thing.

723
00:35:04,394 --> 00:35:05,854
But this was one of the things

724
00:35:05,937 --> 00:35:08,815
<i>which Richard contributed</i>
<i>to the cinema.</i>

725
00:35:11,943 --> 00:35:17,365
He is the biggest attraction in popular culture,
without exaggeration.

726
00:35:17,616 --> 00:35:22,329
Black, white, music, cinema,
Whatever it is, Richard Pryor is the man.

727
00:35:22,495 --> 00:35:24,956
<i>Pryor also contributes</i>
<i>with your writing talents</i>

728
00:35:25,040 --> 00:35:26,374
<i>for other comedians.</i>

729
00:35:26,666 --> 00:35:29,002
<i>Writes plays for</i> The Flip Wilson Show

730
00:35:29,085 --> 00:35:30,629
<i>and</i>Sanford And Son.

731
00:35:31,671 --> 00:35:35,216
<i>In 1973, he won an Emmy for his screenplay</i>

732
00:35:35,300 --> 00:35:37,677
<i>from the television special</i>Lily,

733
00:35:37,761 --> 00:35:39,179
<i>with Lily Tomlin as the protagonist.</i>

734
00:35:39,929 --> 00:35:42,265
<i>However,</i>
<i>Pryor's work on television</i>

735
00:35:42,349 --> 00:35:44,225
<i>will prove problematic.</i>

736
00:35:49,397 --> 00:35:51,441
<i>They invited him to be a guest presenter</i>

737
00:35:51,524 --> 00:35:54,277
in the first season
from <i>Saturday Night Live.</i>

738
00:35:54,361 --> 00:35:58,615
Lorne Michaels really wants
let Richard be the presenter

739
00:35:58,698 --> 00:36:00,909
of the inaugural program,

740
00:36:00,992 --> 00:36:04,579
what does it tell us
how important Richard Pryor was

741
00:36:04,663 --> 00:36:07,374
at that time, in 1975.

742
00:36:09,793 --> 00:36:11,127
NBC gets nervous.

743
00:36:12,128 --> 00:36:14,172
<i>Station managers and branches</i>

744
00:36:14,255 --> 00:36:17,926
<i>they think Richard is too dangerous</i>
<i>to be on live television.</i>

745
00:36:18,593 --> 00:36:19,719
He had a track record.

746
00:36:19,803 --> 00:36:22,472
<i>Unable to secure the role</i>
<i>in</i> Trouble in the West,

747
00:36:22,555 --> 00:36:24,391
who wrote with Mel Brooks,

748
00:36:24,474 --> 00:36:26,267
but they end up choosing Cleavon Little,

749
00:36:26,351 --> 00:36:28,895
because Richard is famous

750
00:36:28,978 --> 00:36:31,731
from beating up people to drug use.

751
00:36:32,691 --> 00:36:34,734
It was live
and when he went live,

752
00:36:34,818 --> 00:36:36,319
<i>when you leave, the lights come on,</i>

753
00:36:36,403 --> 00:36:38,488
<i>the public... May have a script,</i>

754
00:36:38,571 --> 00:36:40,365
<i>being able to have your cards there</i>

755
00:36:40,448 --> 00:36:41,991
but if the public laughs at something,

756
00:36:42,075 --> 00:36:43,785
can go in a different direction.

757
00:36:44,411 --> 00:36:46,996
<i>NBC managers</i>
<i>they are not willing to take the risk.</i>

758
00:36:47,080 --> 00:36:48,873
They couldn't put it in the first program,

759
00:36:48,957 --> 00:36:50,583
the station was worried,

760
00:36:50,667 --> 00:36:52,794
therefore, they end up creating a delay.

761
00:36:54,963 --> 00:36:56,089
<i>Richard spoke</i>

762
00:36:56,172 --> 00:36:57,716
<i>and the transmission would be delayed</i>

763
00:36:57,799 --> 00:36:59,968
<i>so the station can censor</i>

764
00:37:00,051 --> 00:37:03,012
something
that could be considered offensive.

765
00:37:03,096 --> 00:37:05,932
They created the five second delay,

766
00:37:06,015 --> 00:37:08,017
which I participated
for seven seasons,

767
00:37:08,101 --> 00:37:09,227
because of Richard Pryor.

768
00:37:10,478 --> 00:37:12,772
<i>Today, thanks to Richard Pryor,</i>

769
00:37:12,856 --> 00:37:15,942
<i>almost all live events</i>
<i>on television</i>

770
00:37:16,025 --> 00:37:18,903
<i>have a delay of five to seven seconds.</i>

771
00:37:19,738 --> 00:37:20,989
In my opinion,

772
00:37:21,072 --> 00:37:23,742
It's one of the greatest compliments

773
00:37:23,825 --> 00:37:25,744
that you can imagine.

774
00:37:25,827 --> 00:37:27,787
<i>Being so important</i>

775
00:37:27,871 --> 00:37:30,582
<i>that Lorne Michaels has to have you</i>
<i>on his program,</i>

776
00:37:30,665 --> 00:37:33,668
in such a way that the station will create

777
00:37:33,752 --> 00:37:38,006
a special protocol just to fit you in.

778
00:37:38,089 --> 00:37:40,675
This tells us,
maybe better than anything else,

779
00:37:40,759 --> 00:37:43,720
how important Richard Pryor was
in 1975.

780
00:37:47,599 --> 00:37:50,268
<i>Even with mixed reviews on television,</i>

781
00:37:50,351 --> 00:37:54,022
<i>it cannot be denied that Richard Pryor</i>
<i>He's a comic superstar</i>

782
00:37:54,105 --> 00:37:56,065
<i>at the height of its popularity.</i>

783
00:37:59,194 --> 00:38:02,614
<i>But despite its success,</i>
<i>Pryor's personal life</i>

784
00:38:02,697 --> 00:38:05,200
<i>is spiraling out of control.</i>

785
00:38:05,408 --> 00:38:09,078
And being a comedian,
You don't trust many people.

786
00:38:09,162 --> 00:38:10,955
Not many people are allowed in
in our life.

787
00:38:11,039 --> 00:38:13,249
Our life is very different
of others.

788
00:38:13,333 --> 00:38:14,626
We are not, we are back, we have lives,

789
00:38:14,709 --> 00:38:16,503
we have children

790
00:38:16,586 --> 00:38:18,421
and we get involved with someone and they will say:

791
00:38:18,505 --> 00:38:20,673
"Why are you always outside?
Why do you drink so much?

792
00:38:20,757 --> 00:38:23,384
Why are you always silent?
Why don't we talk?"

793
00:38:26,679 --> 00:38:28,723
<i>There are problems at home.</i>

794
00:38:28,807 --> 00:38:30,892
<i>Pryor was married seven times.</i>

795
00:38:31,226 --> 00:38:32,977
<i>She loved women,</i>

796
00:38:33,061 --> 00:38:35,772
<i>but with his explosive temper</i>
<i>and its trend</i>

797
00:38:35,855 --> 00:38:38,566
<i>isolating yourself for days on end</i>

798
00:38:38,650 --> 00:38:40,902
<i>their relationships didn't last.</i>

799
00:38:40,985 --> 00:38:43,738
I dare anyone to tell you, honestly,

800
00:38:43,822 --> 00:38:45,490
leaving the stage

801
00:38:45,573 --> 00:38:47,742
and who have a better life
outside of it than in it.

802
00:38:47,826 --> 00:38:49,577
It is impossible for anyone

803
00:38:49,661 --> 00:38:51,746
<i>what do you do</i>stand-up<i> for a living tell you</i>

804
00:38:51,830 --> 00:38:55,416
<i>that your life is better</i>
<i>off stage than on stage.</i>

805
00:38:55,500 --> 00:38:57,585
<i>Your things and your home</i>
<i>could be better</i>

806
00:38:57,669 --> 00:39:01,464
your car could be better,
but we suffer.

807
00:39:01,548 --> 00:39:04,551
I need someone
to reach an understanding.

808
00:39:04,634 --> 00:39:07,512
I support you to continue doing

809
00:39:08,429 --> 00:39:10,056
exactly what attracted me to you.

810
00:39:10,139 --> 00:39:12,642
As opposed to stop doing

811
00:39:12,725 --> 00:39:13,935
what attracted me to you.

812
00:39:14,018 --> 00:39:16,855
That's when the conflict began
with many of the women.

813
00:39:18,398 --> 00:39:19,732
<i>Pryor is a heavy smoker</i>

814
00:39:19,816 --> 00:39:21,359
<i>and drinks a lot,</i>

815
00:39:21,442 --> 00:39:24,654
<i>which leads to a heart attack in 1977.</i>

816
00:39:26,531 --> 00:39:30,243
<i>But Richard Pryor's real demon</i>
<i>would turn out to be drugs.</i>

817
00:39:30,535 --> 00:39:32,662
Richard was part of the drug culture.

818
00:39:33,037 --> 00:39:34,581
In his time, it was cocaine.

819
00:39:36,958 --> 00:39:41,796
<i>Pryor consumes cocaine</i>
<i>since the early 1960s.</i>

820
00:39:42,297 --> 00:39:44,257
Richard was a drug addict. He was an addict.

821
00:39:44,549 --> 00:39:47,594
In terms of indulgence,
Richard was the kind of person

822
00:39:47,677 --> 00:39:51,931
who always went into deep waters

823
00:39:52,348 --> 00:39:57,061
<i>and that's always the dangerous place.</i>

824
00:39:57,270 --> 00:40:00,690
<i>A hundred dollar a day addiction</i>
<i>cost now</i>

825
00:40:00,773 --> 00:40:03,484
<i>hundreds of thousands of dollars a year.</i>

826
00:40:03,568 --> 00:40:07,655
Sometimes, there were even drug dealers,

827
00:40:07,739 --> 00:40:10,783
and Richie even said that in his comedy,

828
00:40:10,867 --> 00:40:12,911
but I know, because it was there,

829
00:40:12,994 --> 00:40:14,871
<i>who refused to sell to him.</i>

830
00:40:14,954 --> 00:40:17,123
<i>And they had all kinds of drugs,</i>

831
00:40:17,498 --> 00:40:19,459
<i>but they refused to sell to him,</i>

832
00:40:19,542 --> 00:40:23,755
because he wasn't going to buy
one or two grams,

833
00:40:23,838 --> 00:40:25,882
he bought the entire supply.

834
00:40:25,965 --> 00:40:29,844
<i>In 1980,</i> <i>Pryor was purifying cocaine</i>

835
00:40:29,928 --> 00:40:34,349
<i>using volatile ether to help</i>
<i>lighting up the drug to smoke.</i>

836
00:40:34,724 --> 00:40:38,227
<i>It would prove to be an almost fatal combination.</i>

837
00:40:40,063 --> 00:40:42,357
Richard Pryor,
the comedian and screenwriter,

838
00:40:42,440 --> 00:40:44,442
was seriously burned in an accident

839
00:40:44,525 --> 00:40:46,694
at his home in California,
last night.

840
00:40:46,778 --> 00:40:49,781
The burns cover
the upper part of his body.

841
00:40:49,864 --> 00:40:52,492
They are serious enough
to put your life at risk.

842
00:40:54,118 --> 00:40:57,372
<i>According to reports,</i>
<i>Richard Pryor should have died</i>

843
00:40:57,455 --> 00:40:59,374
<i>June 9, 1980.</i>

844
00:40:59,457 --> 00:41:01,125
<i>I was there when Richard burned,</i>

845
00:41:01,501 --> 00:41:03,461
but I didn't know it was Richard.

846
00:41:03,753 --> 00:41:07,173
When he ran past me
and left the house,

847
00:41:07,256 --> 00:41:09,175
That's when I realized it was Richard.

848
00:41:12,595 --> 00:41:14,180
<i>The Los Angeles Police Report</i>

849
00:41:14,263 --> 00:41:17,475
<i>declares that Pryor burned himself</i>
<i>when I was going to smoke cocaine.</i>

850
00:41:19,560 --> 00:41:21,604
<i>Honestly, I was scared</i>

851
00:41:21,688 --> 00:41:23,398
<i>when I smoked drugs with Richard,</i>

852
00:41:23,481 --> 00:41:25,650
<i>because the flame was so big</i>

853
00:41:25,733 --> 00:41:28,444
that it was inevitable that, one day,

854
00:41:28,528 --> 00:41:30,655
with the flame and that...

855
00:41:30,738 --> 00:41:33,574
... could cum
the wrong way, right?

856
00:41:33,658 --> 00:41:36,411
And other people had
similar accidents,

857
00:41:36,494 --> 00:41:40,581
but when he did so, it ended in a fire.

858
00:41:40,957 --> 00:41:42,542
<i>There were also rumors</i>

859
00:41:42,625 --> 00:41:44,794
<i>that Pryor had tried to commit suicide.</i>

860
00:41:44,877 --> 00:41:49,549
Richard's burns
were not an attempt to kill himself,

861
00:41:49,632 --> 00:41:51,217
except in a symbolic form.

862
00:41:51,300 --> 00:41:52,719
In a symbolic form,

863
00:41:52,802 --> 00:41:56,139
artists are always quite
dissatisfied with their work.

864
00:41:56,222 --> 00:41:59,058
I remember when I met Richard,
in Berkeley,

865
00:41:59,142 --> 00:42:00,893
your work was perfect,
but he said:

866
00:42:00,977 --> 00:42:03,271
"I want something different."

867
00:42:03,354 --> 00:42:05,356
Everything was resolved that night,

868
00:42:05,440 --> 00:42:07,608
on June 9, 1980.

869
00:42:07,692 --> 00:42:09,360
The slate was clean.

870
00:42:09,694 --> 00:42:12,780
<i>The probability of Pryor surviving</i>
<i>it was one in three,</i>

871
00:42:13,406 --> 00:42:16,576
<i>but after six weeks</i>
<i>a cycle of torturous treatment,</i>

872
00:42:16,868 --> 00:42:19,245
<i>he was released from the hospital.</i>

873
00:42:23,124 --> 00:42:25,168
Of everyone who smokes cocaine,

874
00:42:25,251 --> 00:42:28,171
ever heard of
of someone who was blown up?

875
00:42:29,464 --> 00:42:30,590
Why me?

876
00:42:33,217 --> 00:42:37,221
<i>In 1982, Richard Pryor returns to the stage</i>

877
00:42:37,305 --> 00:42:41,100
<i>one of the biggest returns</i>
<i>from the history of entertainment.</i>

878
00:42:41,184 --> 00:42:44,896
It was live at Sunset.
He threw that down.

879
00:42:44,979 --> 00:42:48,775
We saw an incredible and miraculous thing
happen right in front of us,

880
00:42:48,858 --> 00:42:53,571
starting from nothing to something
and for a big thing.

881
00:42:55,031 --> 00:42:57,742
<i>He continued taking the stage.</i>
<i>Never gave up.</i>

882
00:42:57,825 --> 00:42:59,077
<i>Never disappeared.</i>

883
00:42:59,160 --> 00:43:02,288
In my opinion,
the best <i>stand-up comedy</i>

884
00:43:02,371 --> 00:43:03,623
that has already been registered.

885
00:43:03,706 --> 00:43:08,294
<i>But I saw history being made.</i>

886
00:43:08,711 --> 00:43:15,384
I saw a guy building
a beautiful Maserati on stage

887
00:43:15,635 --> 00:43:17,970
and lead him out of there.

888
00:43:19,639 --> 00:43:21,099
<i>Filmed two years</i>

889
00:43:21,182 --> 00:43:23,643
<i>after his near-fatal accident,</i>

890
00:43:24,018 --> 00:43:25,812
live on the Sunset Strip,

891
00:43:25,895 --> 00:43:28,064
<i>an unrestricted Pryor appeared</i>

892
00:43:28,147 --> 00:43:30,983
<i>talking about his almost fatal drug addiction.</i>

893
00:43:31,067 --> 00:43:34,904
It was so long ago that drug dealers
They even tried not to sell me anything.

894
00:43:34,987 --> 00:43:36,864
That's what it is, when drug dealers say:

895
00:43:36,948 --> 00:43:38,533
"I'm not giving you any more of this shit."

896
00:43:38,741 --> 00:43:40,910
When it burned,
there was someone to whom I owed

897
00:43:40,993 --> 00:43:43,913
around 300 or 400 thousand dollars.

898
00:43:43,996 --> 00:43:46,999
Two or three days
after leaving the hospital,

899
00:43:47,083 --> 00:43:48,835
He said: "Take this to so-and-so."

900
00:43:48,918 --> 00:43:50,294
"Give them their money."

901
00:43:50,378 --> 00:43:52,130
<i>And I said, "Pryor, don't do that.</i>

902
00:43:52,213 --> 00:43:53,840
<i>They don't care now."</i>

903
00:43:53,923 --> 00:43:56,175
<i>And he insisted on paying them.</i>

904
00:43:56,259 --> 00:43:58,928
I don't think he celebrated the drug
in that thing,

905
00:43:59,011 --> 00:44:03,766
but I think he said:
"I became a slave to drugs."

906
00:44:03,850 --> 00:44:05,893
It was there burning

907
00:44:05,977 --> 00:44:09,480
and something said, "What a beautiful blue.

908
00:44:11,524 --> 00:44:15,194
You know what else? It feels like… fire!”

909
00:44:18,489 --> 00:44:19,866
Live On The Sunset Strip

910
00:44:19,949 --> 00:44:22,994
<i>not only revealed Pryor</i>
<i>at your most vulnerable moment,</i>

911
00:44:23,077 --> 00:44:25,163
<i>how it proved to be a turning point</i>

912
00:44:25,246 --> 00:44:28,666
<i>to a known man</i>
<i>for its provocative vocabulary.</i>

913
00:44:28,749 --> 00:44:32,211
<i>Pryor would report</i>
<i>a transformative trip to Africa</i>

914
00:44:32,295 --> 00:44:34,005
<i>which would forever change the form</i>

915
00:44:34,088 --> 00:44:36,674
<i>as he referred to it</i>
<i>to other African Americans.</i>

916
00:44:37,175 --> 00:44:40,011
And a voice said, "Do you see any black people?"

917
00:44:41,554 --> 00:44:42,847
And I said, "No."

918
00:44:44,932 --> 00:44:47,393
They say:
"Do you know why? Because they don't exist."

919
00:44:47,602 --> 00:44:49,145
It was there that Richard,

920
00:44:50,438 --> 00:44:52,356
just like Malcolm X,

921
00:44:52,815 --> 00:44:54,650
started to see the difference.

922
00:44:54,859 --> 00:44:57,778
And it made me think, "Oh my God, I was wrong.

923
00:44:57,862 --> 00:45:00,907
It was wrong.
I have to rethink my shit.”

924
00:45:00,990 --> 00:45:02,909
I said, "I'll never call again

925
00:45:02,992 --> 00:45:04,452
'black' to another black person."

926
00:45:05,453 --> 00:45:08,831
<i>It was like when Malcolm came back</i>
<i>from abroad</i>

927
00:45:09,373 --> 00:45:11,292
<i>and said he had prayed alongside white people</i>

928
00:45:11,375 --> 00:45:12,835
<i>and he didn't know it was like that,</i>

929
00:45:12,919 --> 00:45:14,670
because he had been told something.

930
00:45:15,004 --> 00:45:17,214
That word is dead.
We are men and women.

931
00:45:17,298 --> 00:45:20,676
We are descendants
of the first people on Earth.

932
00:45:22,053 --> 00:45:24,472
<i>Pryor's decision to quit</i>
<i>to use the word</i>

933
00:45:24,555 --> 00:45:28,351
<i>in your stand-up comedy</i>it would become</i>
<i>yet another controversy</i>

934
00:45:28,643 --> 00:45:30,811
<i>in his always controversial life.</i>

935
00:45:30,895 --> 00:45:32,647
When he shared this,

936
00:45:32,730 --> 00:45:35,524
many in Hollywood

937
00:45:36,025 --> 00:45:37,360
they didn't like it.

938
00:45:38,778 --> 00:45:41,739
<i>He was trying to get past black</i>

939
00:45:41,822 --> 00:45:44,742
<i>which had been in the 1970s</i>

940
00:45:45,034 --> 00:45:50,039
<i>for a black movie star</i>
<i>conventional in the 1980s.</i>

941
00:45:50,122 --> 00:45:53,125
I think Richard wants to be conventional

942
00:45:53,209 --> 00:45:54,835
and if you don't want to be conventional,

943
00:45:54,919 --> 00:45:56,963
without a doubt he wants conventional money.

944
00:45:57,046 --> 00:45:59,048
I don't think Richard has changed much

945
00:45:59,131 --> 00:46:01,384
after returning from Africa.

946
00:46:01,467 --> 00:46:04,220
<i>It was for public use,</i>

947
00:46:04,303 --> 00:46:06,430
<i>not necessarily from Richard.</i>

948
00:46:07,181 --> 00:46:08,808
I always said,

949
00:46:08,891 --> 00:46:11,811
as soon as Richard Pryor stops
to use the word "black",

950
00:46:11,894 --> 00:46:14,689
It will be the moment when it stops being funny,

951
00:46:14,772 --> 00:46:20,236
because you can't
stop doing something like that

952
00:46:20,319 --> 00:46:24,407
<i>when our entire identity</i>
<i>based on this</i>

953
00:46:24,490 --> 00:46:26,867
<i>as a central part of who we are.</i>

954
00:46:27,118 --> 00:46:29,996
Well that would mean
that you could just do

955
00:46:30,705 --> 00:46:33,082
an album saying that word
and we would have been successful.

956
00:46:33,165 --> 00:46:34,709
That wasn't true.

957
00:46:35,960 --> 00:46:39,422
<i>Pryor keeps doing it</i>
<i>stand-up comedy</i>,

958
00:46:39,505 --> 00:46:42,216
<i>But actually</i>
<i>dedicates the rest of the 1980s</i>

959
00:46:42,299 --> 00:46:45,511
<i>starring</i>
<i>many conventional Hollywood films,</i>

960
00:46:46,220 --> 00:46:49,265
<i>including</i>Dear Puppet,
Millionaire is Strength

961
00:46:49,348 --> 00:46:50,599
<i>and</i> Superman III,

962
00:46:50,683 --> 00:46:52,977
<i>where he made four million dollars,</i>

963
00:46:53,060 --> 00:46:55,354
<i>allegedly more</i>
<i>than the protagonist of the film,</i>

964
00:46:55,438 --> 00:46:57,148
<i>Christopher Reeve.</i>

965
00:46:57,940 --> 00:47:00,609
<i>Richard Pryor, Hollywood superstar,</i>

966
00:47:00,693 --> 00:47:02,486
<i>was now one of the African-American actors</i>

967
00:47:02,570 --> 00:47:05,156
<i>highest paid at the time.</i>

968
00:47:05,239 --> 00:47:07,074
<i>He did them for money,</i>

969
00:47:07,450 --> 00:47:10,578
he didn't put his soul into them.

970
00:47:11,454 --> 00:47:14,331
<i>In 1986, Pryor appears on</i> The Tonight Show

971
00:47:14,415 --> 00:47:16,083
with Johnny Carson.

972
00:47:16,167 --> 00:47:19,045
<i>It shocks the public</i>
<i>with his emaciated appearance.</i>

973
00:47:19,545 --> 00:47:24,050
<i>Being in 1986,</i>
<i>Rumors quickly pointed to AIDS.</i>

974
00:47:24,383 --> 00:47:27,011
<i>Pryor is forced to reveal</i>

975
00:47:27,094 --> 00:47:30,222
<i>who suffers from multiple sclerosis,</i>
<i>a degenerative disease</i>

976
00:47:30,306 --> 00:47:32,600
<i>which attacks the central nervous system.</i>

977
00:47:32,683 --> 00:47:35,102
<i>MS came out of nowhere.</i>

978
00:47:36,020 --> 00:47:37,605
We think about all the other things

979
00:47:37,688 --> 00:47:39,523
what could have happened to him
and they didn't happen

980
00:47:39,607 --> 00:47:43,486
and this mysterious disease, MS,
That's what defeated him.

981
00:47:43,569 --> 00:47:44,820
And when he got sick,

982
00:47:44,904 --> 00:47:46,655
It must have been very hard for him

983
00:47:46,739 --> 00:47:49,617
because comedians are used to
to do what they want.

984
00:47:49,700 --> 00:47:51,660
From then on, whenever we saw him,

985
00:47:51,744 --> 00:47:56,207
he was thinner and getting worse.

986
00:47:57,708 --> 00:47:59,794
<i>Staying true to your fighting spirit,</i>

987
00:47:59,877 --> 00:48:01,545
<i>Pryor continues acting.</i>

988
00:48:01,629 --> 00:48:02,963
<i>I still received the calls.</i>

989
00:48:03,047 --> 00:48:04,632
Come talk about it.

990
00:48:04,715 --> 00:48:06,050
We want to make this film.

991
00:48:06,133 --> 00:48:08,677
<i>Pryor would star in several other films,</i>

992
00:48:08,761 --> 00:48:10,638
<i>including</i> Intensive Care,

993
00:48:11,013 --> 00:48:12,807
Blind, Deaf and Mad,

994
00:48:12,890 --> 00:48:14,141
<i>and</i>The Night Kings.

995
00:48:14,225 --> 00:48:16,393
When we reached the end of the 1980s

996
00:48:16,477 --> 00:48:18,687
and Eddie Murphy does <i>The Night Kings</i>

997
00:48:18,771 --> 00:48:21,148
<i>I think including Richard</i>
<i>and Redd Foxx is great</i>

998
00:48:21,232 --> 00:48:24,110
<i>because it connects tradition.</i>

999
00:48:24,193 --> 00:48:26,153
<i>But, at this point,</i>

1000
00:48:26,237 --> 00:48:30,866
Richard's best days as an actor
they were already far away.

1001
00:48:34,161 --> 00:48:36,789
<i>In 1990, it's painfully obvious</i>

1002
00:48:36,872 --> 00:48:39,500
<i>that Richard Pryor is a very sick man.</i>

1003
00:48:39,792 --> 00:48:43,045
<i>Suffers a second heart attack,</i>
<i>more serious,</i>

1004
00:48:43,129 --> 00:48:46,298
<i>and it is operated to put it in</i>
<i>a</i>triple bypass.</i>

1005
00:48:46,382 --> 00:48:48,759
<i>Being confined to a wheelchair</i>

1006
00:48:48,843 --> 00:48:51,428
<i>and an electric cart</i>
<i>for the rest of your life,</i>

1007
00:48:51,512 --> 00:48:55,182
<i>but refuses to stop doing</i>stand-up.

1008
00:48:56,183 --> 00:48:58,352
<i>Yes, I'm in a wheelchair.</i>
<i>Push it there.</i>

1009
00:48:58,435 --> 00:49:00,354
<i>Still laugh about it.</i>

1010
00:49:01,063 --> 00:49:02,398
<i>Making jokes: "I know they laugh at me</i>

1011
00:49:02,481 --> 00:49:04,066
for being in a wheelchair on stage,

1012
00:49:04,150 --> 00:49:05,317
but it doesn't hurt."

1013
00:49:05,401 --> 00:49:07,194
He still had a great sense of humor.

1014
00:49:07,278 --> 00:49:09,363
He was addicted to laughter.

1015
00:49:09,446 --> 00:49:12,158
Of all the drugs Richard took,

1016
00:49:12,241 --> 00:49:15,077
he was addicted to laughing.

1017
00:49:16,203 --> 00:49:18,414
<i>Use EM as material</i>

1018
00:49:18,497 --> 00:49:21,417
<i>to describe MS killing your penis</i>

1019
00:49:21,500 --> 00:49:24,587
<i>and destroying your muscles,</i>

1020
00:49:24,753 --> 00:49:27,965
but also not to hide

1021
00:49:28,048 --> 00:49:29,383
the fact that he was sick

1022
00:49:29,466 --> 00:49:32,678
That's what he always was,

1023
00:49:32,761 --> 00:49:33,971
courageous.

1024
00:49:35,556 --> 00:49:37,141
<i>is the measure of multiple sclerosis</i>

1025
00:49:37,224 --> 00:49:39,560
<i>starts to affect your body,</i>

1026
00:49:39,643 --> 00:49:42,813
<i>Richard spends the rest of his life at home.</i>

1027
00:49:42,897 --> 00:49:45,858
For me, it was almost like seeing

1028
00:49:47,276 --> 00:49:50,237
a friend being injured on the battlefield

1029
00:49:50,321 --> 00:49:52,531
and not being able to stop the bleeding.

1030
00:49:52,615 --> 00:49:55,659
We see him slowly leaving.

1031
00:49:58,245 --> 00:50:00,706
<i>On December 10, 2005,</i>

1032
00:50:00,789 --> 00:50:03,167
<i>Pryor suffers another heart attack</i>

1033
00:50:03,250 --> 00:50:06,045
<i>and attempts to revive him fail.</i>

1034
00:50:06,128 --> 00:50:07,546
<i>At age 65,</i>

1035
00:50:07,630 --> 00:50:12,009
<i>Richard Franklin Lennox</i>
<i>Thomas Pryor dies.</i>

1036
00:50:19,225 --> 00:50:23,979
<i>Richard was a star</i>
<i>and such a phenomenal icon</i>

1037
00:50:24,063 --> 00:50:27,733
that, at some point,
a new generation emerges.

1038
00:50:28,317 --> 00:50:31,403
<i>Damon Wayans, Chris Rock, Eddie Murphy</i>

1039
00:50:31,487 --> 00:50:34,657
<i>Arsenio, Tracy Morgan, Jamie Foxx,</i>

1040
00:50:34,740 --> 00:50:36,367
<i>Monique and myself...</i>

1041
00:50:36,450 --> 00:50:38,118
Personally, I don't really know where I would be

1042
00:50:38,202 --> 00:50:40,913
if you hadn't followed
the light of Richard Pryor.

1043
00:50:40,996 --> 00:50:43,666
Over time,
we could see his influence

1044
00:50:43,958 --> 00:50:45,960
<i>in this new generation.</i>

1045
00:50:46,210 --> 00:50:48,837
<i>We had the culture of</i> hip-hop.

1046
00:50:48,921 --> 00:50:51,215
The music, the culture, the time

1047
00:50:51,298 --> 00:50:54,426
and the 1960s, 1970s, 1980s, 1990s

1048
00:50:54,510 --> 00:50:56,095
and early 2000.

1049
00:50:56,178 --> 00:50:58,681
But when we look
for those who had the most influence

1050
00:50:58,764 --> 00:51:01,892
on the guys who do it now,
It was Richard.

1051
00:51:03,435 --> 00:51:05,729
<i>It remains to this day.</i>

1052
00:51:05,938 --> 00:51:09,566
He's still influencing
generations to come.

1053
00:51:09,650 --> 00:51:13,487
His comedy should give
on a channel 24 hours a day.

1054
00:51:13,570 --> 00:51:16,073
There should be a Richard Pryor channel

1055
00:51:16,156 --> 00:51:19,285
<i>so everyone could see the man</i>

1056
00:51:19,368 --> 00:51:20,703
<i>and what he was trying to say.</i>

1057
00:51:21,495 --> 00:51:23,122
<i>Politics, race, religion,</i>

1058
00:51:23,205 --> 00:51:26,125
<i>talked about all these things</i>
<i>that people found offensive.</i>

1059
00:51:26,208 --> 00:51:28,669
But the aim was to use
language as a weapon.

1060
00:51:28,877 --> 00:51:33,757
Through comedy,
we managed to spread and bring humor,

1061
00:51:33,841 --> 00:51:36,260
release it to our audience

1062
00:51:36,593 --> 00:51:38,721
<i>and, presumably,</i>
<i>make them realize something</i>

1063
00:51:38,804 --> 00:51:40,389
<i>that they didn't realize before.</i>

1064
00:51:41,015 --> 00:51:43,684
He basically did this
in a practical way.

1065
00:51:43,767 --> 00:51:47,521
<i>Opened the language in the country</i>

1066
00:51:48,063 --> 00:51:50,941
and the language
It's where people start to communicate.

1067
00:51:53,193 --> 00:51:55,529
Blacks, whites,

1068
00:51:55,612 --> 00:51:58,407
poor, rich. It was heavy.

1069
00:51:58,490 --> 00:52:00,617
Politicians, normal pawns.

1070
00:52:00,701 --> 00:52:02,244
Look at these audiences.

1071
00:52:02,536 --> 00:52:04,580
He's not the "black guy" up there.

1072
00:52:04,913 --> 00:52:08,292
<i>His jokes transcended race.</i>

1073
00:52:08,500 --> 00:52:12,629
<i>He was always taking us</i>
<i>for his experience.</i>

1074
00:52:12,838 --> 00:52:14,715
He was putting us in his place.

1075
00:52:14,965 --> 00:52:20,679
As human beings, we cannot help but
identify with it.

1076
00:52:20,763 --> 00:52:22,556
<i>He knew what to say to make people laugh,</i>

1077
00:52:22,639 --> 00:52:24,892
<i>but Richard was also going to say</i>
<i>something.</i>

1078
00:52:24,975 --> 00:52:27,728
<i>Sexism, racism, prejudice...</i>

1079
00:52:27,978 --> 00:52:30,272
He used the joke
to get our attention.

1080
00:52:33,275 --> 00:52:35,152
<i>Knowing all these things</i>

1081
00:52:35,235 --> 00:52:36,987
ran through his body, his mind,

1082
00:52:37,071 --> 00:52:39,031
came out of his hand, out of his mouth,

1083
00:52:39,114 --> 00:52:40,240
<i>through everything he's been through,</i>

1084
00:52:40,324 --> 00:52:42,284
<i>through everything you left behind,</i>

1085
00:52:42,368 --> 00:52:45,204
<i>through each story,</i>
<i>Richard Pryor is, without a doubt,</i>

1086
00:52:45,287 --> 00:52:47,247
<i>a true American icon.</i>

1087
00:52:47,331 --> 00:52:50,084
<i>The consummate artist,</i>
<i>the consummate comedian</i>

1088
00:52:50,167 --> 00:52:52,294
and, ultimately,
the consummate American.

1089
00:52:52,378 --> 00:52:55,756
He managed to provide the country with medicine

1090
00:52:56,048 --> 00:53:00,719
in a very funny hypodermic needle.

1091
00:53:00,928 --> 00:53:02,304
I remember him saying:

1092
00:53:02,388 --> 00:53:04,723
"Maybe I can touch someone's mind

1093
00:53:04,807 --> 00:53:06,517
or change someone's opinion

1094
00:53:06,600 --> 00:53:08,811
or touch someone's heart." Perhaps.

1095
00:53:13,273 --> 00:53:15,025
Richard Pryor cared.

1096
00:53:15,109 --> 00:53:17,111
Unfortunately, not so much with himself

1097
00:53:17,194 --> 00:53:20,280
how he cared about everyone else.

1098
00:53:20,906 --> 00:53:22,449
<i>He never lied to us.</i>

1099
00:53:22,533 --> 00:53:24,118
<i>That's why I adore him.</i>

1100
00:53:24,201 --> 00:53:25,953
<i>I got into trouble on stage</i>

1101
00:53:26,036 --> 00:53:28,372
and said controversial things.

1102
00:53:28,455 --> 00:53:29,748
Richard too.

1103
00:53:29,832 --> 00:53:31,750
I don't compare myself to Richard

1104
00:53:31,834 --> 00:53:34,128
neither Gandhi nor Malcolm

1105
00:53:34,211 --> 00:53:36,130
neither Martin Luther King nor Kennedy,

1106
00:53:36,213 --> 00:53:38,590
but most great people
It's controversial.

1107
00:53:38,882 --> 00:53:40,509
Good thing he went against the grain.

1108
00:53:40,592 --> 00:53:42,136
I'm glad it was him,

1109
00:53:42,219 --> 00:53:44,054
otherwise it wouldn't be Richard Pryor.

1110
00:53:44,555 --> 00:53:48,142
<i>If someone found the notebook</i>
<i>by Richard Pryor,</i>

1111
00:53:48,225 --> 00:53:50,894
I couldn't steal
none of his work,

1112
00:53:50,978 --> 00:53:55,023
because it is the pain and the history
that come with it.

1113
00:53:57,734 --> 00:54:02,614
<i>I like people to see</i>
<i>my photo and laugh</i>

1114
00:54:03,240 --> 00:54:07,161
and have stories to tell.
Tell lies about me.

1115
00:54:07,244 --> 00:54:10,247
"He didn't make me laugh, so...
I was there, you know?

1116
00:54:10,330 --> 00:54:12,291
I was there, on Wednesday,
when he passed..."

1117
00:54:12,374 --> 00:54:13,959
Whatever.

1118
00:54:14,042 --> 00:54:16,712
Like this. To bring joy.

1119
00:54:17,296 --> 00:54:19,381
<i>That's how he liked to be remembered.</i>

1120
00:54:55,250 --> 00:54:57,336
<i>This program is possible, in part,</i>

1121
00:54:57,419 --> 00:54:59,963
<i>due to contributions</i>
<i>to your PBS channel</i>

1122
00:55:00,047 --> 00:55:01,673
<i>from viewers like you.</i>
<i>Thank you.</i>

1123
00:55:01,757 --> 00:55:02,966
Subtitles: Ana Sofia Pinto


